![]() I thought I'd test this further by using a photograph of a model with darker eyes to see how the software copes and how realistic the results were. The software is capable of even detecting one's eyes without the necessity of working with masks and does a good job with his subject's eye color changes and other alterations. For example, Patrick is testing out the skin tools, where you can apply a smoother skin effect on your subject's face as well as decrease the shine that often appears on one's forehead or cheeks. In this video, Patrick is testing out a variety of tools that work specifically on your subject's face and body by automatically detecting the correct areas it needs to apply changes to. Luminar AI has numerous templates that focus specifically on portraits or generic people shots, from more basic ones that subtly enhance the image to more creative ones. ![]() Equally, it is opening up tools to less experienced photographers who still want to be able to apply techniques that, for example, enhance portraits or skies without spending a lot of time learning different complicated or time-consuming workflows. And while on the surface, it may seem that the development of AI-editing tools is a step towards losing creativity, it does also open a lot of doors, such as saving time for those who won't earn anything more by editing an image for 45 minutes or for 5 minutes, but rather based on the result. Earlier, we wrote about the main principles used for building this software, but this time, Fstoppers has had an early hands-on look at the beta version of Luminar AI, and the focus of this video is specifically its portrait tools, although this software offers plenty of templates for a variety of types of photography, from landscapes to macro.įrom the comments I have gathered so far, the AI entry into photography post-processing is still a somewhat contentious topic among photographers.
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